The Phoenician Scheme review – Mia Threapleton shines in Wes Anderson’s muted new confection

Wes Anderson’s The Phoenician Scheme: A Stylized Ensemble Led by Mia Threapleton
Photo: theguardian.com

Wes Anderson’s The Phoenician Scheme: A Stylized Ensemble Led by Mia Threapleton

Wes Anderson returns with *The Phoenician Scheme*, a stylized comedy-drama that continues his tradition of visually distinct, ensemble-driven storytelling. While the film retains his signature symmetrical aesthetic and quirky tone, critics note a more muted execution compared to his past works. The plot centers on Zsa-Zsa Korda, a corrupt tycoon played by Benicio Del Toro, who aims to dominate a fictional Middle Eastern economy through exploitative ventures. His daughter, Liesl—played compellingly by Mia Threapleton in a breakout role—is reluctantly drawn into this scheme, echoing a Michael Corleone-like arc.

The narrative unfolds episodically, featuring brief and restrained cameos by Hollywood heavyweights such as Tom Hanks, Willem Dafoe, and Scarlett Johansson. The film introduces a U.S. government figure, Mr. Excaliber (Rupert Friend), attempting to sabotage Zsa-Zsa’s plan by manipulating the cost of essential materials. Liesl’s storyline, infused with romantic tension involving a smitten tutor (Michael Cera), becomes the emotional core. While Bill Murray appears as a vision of divine judgment, the film lacks the emotional depth and whimsy found in Anderson’s most resonant works. Ultimately, it’s a polished, amusing film that leans heavily on aesthetic but falls short of the director’s finest efforts.

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