Review of ‘Darling’: Julie Christie Shines in a Witty Satire of 1960s London

John Schlesinger’s 1965 film ‘Darling’, recently re-released for its 60th anniversary, remains a vibrant and ambitious romantic satire of swinging London. Starring Julie Christie as Diana Scott, a young model and actress navigating the fashionable London scene, the film explores themes of love, social ambition, and the complexities of relationships without moral judgment. Christie’s character is caught between two lovers, played by Dirk Bogarde and Laurence Harvey, who represent different facets of 1960s British society. The screenplay, influenced by the French New Wave, incorporates sharp social commentary, including media culture and societal taboos like abortion and divorce, portrayed without traditional disapproval. The film also features memorable details of the era, from iconic cars to fashion and advertising, and highlights the contrasts between English and French attitudes through scenes set in Paris. While some dialogue feels dated, the performances, especially Christie’s restrained portrayal amid more flamboyant male co-stars, and Schlesinger’s direction, offer a compelling look at the era’s social dynamics. The film’s mix of satire, romance, and cultural critique continues to engage audiences interested in 1960s Britain and cinema history.