Guardian film editor Catherine Shoard answers readers’ questions on the 2026 Oscars

Guardian film editor Catherine Shoard addresses readers’ queries regarding the 98th Academy Awards, reflecting on trends, campaigning, and notable nominees. She observes that the Oscars often fail to award the year’s best film, citing 12 Years a Slave (2014) as perhaps the last time this occurred. Shoard attributes the perceived decline in quality films to industry contraction, talent migrating to television and streaming, and dwindling funding for mid-budget adult dramas. She explains the intricacies of red carpet campaigning, noting that appearances, interviews, and prior awards ceremonies influence Academy voters, while highlighting that film stars rarely acknowledge fans directly, contrasting with the music industry. Regarding ‘Oscar bait’ films, she suggests studios continue to produce them despite mixed results. Shoard predicts the possibility of a split between One Battle After Another and Sinners for best picture and director, emphasising the impact of Actors Awards and BAFTAs performances. She reflects on the cultural relevance of the Oscars, the significance of controversial statements, and the limited international viewership. Despite criticisms of current nominees and American cultural dominance in cinema, she notes the industry’s ongoing efforts to diversify and highlight international talent. Overall, Shoard provides an insightful overview of Oscar campaigning, voting patterns, and the broader context of contemporary filmmaking.