The article focuses on publicity photos of Rosalind Russell from George Cukor’s 1939 film ‘The Women,’ highlighting her groundbreaking role as Sylvia Fowler. Before this role, Russell was typically cast in reserved, second-lead dramatic roles. Her portrayal of Sylvia, a high-society gossip with a sharp tongue, marked a significant shift in her career, allowing her to showcase her comedic talents and establish herself as a leading screwball comedy actress. The film, adapted from Clare Boothe Luce’s Broadway play, features Russell in eccentric, high-fashion costumes designed by Adrian, including a notable Schiaparelli-inspired blouse with surrealist eyes. The article details how Russell’s physical comedy, particularly in a chaotic scene at a Reno divorce ranch, contrasted with the more refined performances of co-stars Norma Shearer and Joan Crawford. Her character’s constant ‘yoo-hoo’ing and dispensing of unwanted marital advice became iconic lines of the film. The publicity photos referenced in the title capture Russell’s transformation into a comedic star, emphasizing the cultural impact of her role in ‘The Women’ and its influence on her subsequent career, including her famous role in ‘His Girl Friday’ the following year. The article also notes the film’s significance as a landmark in Hollywood’s screwball comedy genre, with Russell’s performance serving as a pivotal moment in her career trajectory. The vintage promotional images provide insight into the visual style and character portrayal that defined the film’s success and Russell’s rise to stardom.